Photograph: Liz Laughton Photograph: Liz Laughton/Guardian
Photograph: Saad Shahriar Photograph: Saad Shahriar/Guardian
Photograph: Chloe Kenward Photograph: Chloe Kenward/Guardian
Photograph: Chris Mole Photograph: Chris Mole/Guardian
Photograph: Will Aitken Photograph: Will Aitken/Guardian
Photograph: Emerey D'Sylva Photograph: Emerey D'Sylva/Guardian
Photograph: Paul Crask Photograph: Paul Crask/Guardian
Photograph: Tim Jones Photograph: Tim Jones/Guardian
Photograph: Gavin Yam Photograph: Gavin Yam/Guardian
Photograph: Peter Rich Photograph: Peter Rich/Guardian
Photograph: Jamie Lafferty Photograph: Jamie Lafferty/Guardian
Photograph: Rich Quarterman Photograph: Rich Quarterman/Guardian
Photograph: Valerie Marinoni Photograph: Valerie Marinoni/Guardian
Photograph: Joseph O'Donoghue Photograph: Joseph O'Donoghue/Guardian
Photograph: Richard Duke Photograph: Richard Duke/Guardian
Photograph: Matt Hudson Photograph: Matt Hudson/Guardian
Photograph: Marie-Louise Gourlay Photograph: Marie-Louise Gourlay/Guardian
Photograph: Nicholas Lam Photograph: Nicholas Lam/Guardian
Photograph: Harriet Butcher Photograph: Harriet Butcher/Guardian
Photograph: Bryan Brooks Photograph: Bryan Brooks/Guardian
Natalie Mayer, judge: Lovely colours, and an interesting scene, perfectly cropped. There is a whole life going on in that little shop, even a christmas tree up on the shelf, CD's, the Pope ... and the man is intently working, oblivious to the camera. This shot is spot on
Photograph: Isidro Martinez Photograph: Isidro Martinez/Guardian
Natalie Mayer, judge: This is great. People going about their daily lives on a nice winter evening. It is a simple image, but some how gives me a feeling of being there. And that is what photography is all about.
Photograph: Ann Maria Nolan Photograph: Ann Maria Nolan/Guardian
Natalie Mayer, judge: This image really captures 'local life' as it happens. In a way, I think that it would have been even more engaging if the lady wasn't looking into the camera. This is hard to achieve, and you certainly don't want to sneak around offending people taking pictures when they don't know you are there. I find a good way to achieve this, and stay on good terms with your subject, is to take one picture when she looks, smile at her (with your camera still very close to your eye!) she will then automatically look away and assume you are done, and then, very quickly you have to take the next shot. Bam. That's the keeper.
Photograph: Lisa Freiburg Photograph: Lisa Freiburg/Guardian