Photograph: Matt Paish Photograph: other
Photograph: Slawek Kozdras Photograph: Slawek Kozdras/other
Photograph: Margo Ryan Photograph: Margo Ryan/other
Photograph: Stephen Jackson Photograph: other
Photograph: Cameron MacMaster Photograph: other
Photograph: Daniel Possamai Photograph: other
Photograph: Dom Burdon Photograph: other
Photograph: Doug Nicholls Photograph: other
Photograph: Matt Wood Photograph: other
Photograph: Nora de Angelli Photograph: other
Photograph: Peter Feenan Photograph: Peter Feenan/other
Photograph: Simon J Smith Photograph: other
Photograph: Mark Hughes Photograph: other
Photograph: Andrew Barber Photograph: other
Photograph: Stuart Goodwin Photograph: other
Natalie Mayer, judge: Lovely lighting happening here, a beautiful depiction of working. I would like to have seen a little more of the work that was going on – because as the subject seems to have stopped his task for the photograph we are missing the action. But still, the colours and scene photographed here are very pleasing to view.
Photograph: Nick White Photograph: Nick White
Natalie Mayer, judge:This is a very classically beautiful shot, well captured. It works well that the photographer has allowed us to see the profile of the subjects' face – if she had been turned more away from the camera, the definition would have been lost and the image would have suffered as a result. The composition is also very well balanced, with the subject walking into the image. Photograph: Bjorn Olsson
Natalie Mayer, judge: I'm delighted by the balance of this image. Initially the three symmetrical windows are very pleasing, then we notice the three men, all in a different position, all focussed on something else. As we look from one to the next, we find they are all interesting, independently. The chap in the front, engrossed in his own conversation, adds yet another point of interest. Overall, lots going on, and beautifully captured at an opportune moment.
Photograph: John Hodgson Photograph: John Hodgson